The Studio

I've spent the last decade photographing homes, offices and buildings for the people who sell and design them. Every frame starts from the same discipline: verticals kept true, wide angles that read generously without warping a hallway, and light blended so a window keeps its view and a room keeps its real colour. A good property photograph should feel like the best five minutes of an in-person viewing.

My work runs the width of the market — quick single-bed listings that need to be live by morning, developer brochures shot through blue hour, and architectural features made for a practice's monograph. Whatever the brief, the goal is the same: images that still do their job weeks later, on the portal, in print, and on the wall of a leasing office.

I trained in architectural and interior photography, and that habit of reading a building the way it was drawn never left. It's why I flag a crooked frame or a reflection before the exposure is locked, and why so much of the craft happens in the quiet minutes of levelling the tripod and waiting for the light.

This paragraph is placeholder text you can replace. Tell visitors which agencies, developers and studios you shoot for, the areas you cover, and what booking a shoot actually feels like — the more specific and human it is, the more it does the work of a sales pitch without sounding like one.